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Moreover the context of Lawrence's nightmare within the novel suggests that the disciplinary effects of freak-show visibility were informed by racialized anxieties rather than by a universal fear of being labeled "freak." Specifically Lawrence's nightmare occurs after he has already entered a dime museum to purchase sex-change seeds from Africa and after he has learned that his former "mulatto maid," now Jack, has begun working at a dime museum as "the greatest freak on earth." Additionally the poster from his nightmare suggests that part of the horror of being displayed as "The Woman Man" is being displayed alongside and in association with the racialized "Missing Link" character and the "Living Skeleton." Indeed throughout the novel the dime museum appears as a racialized site that serves as both the source of gender transgression (i.e., sex-change seeds from Africa) and the space of its containment